Most of my work is commissioned. This involves a detailed discussion with the client in order to understand what they would like. In the process, a lot of other information is gathered but not necessarily articulated. A subsequent letter to the client attempts to crystallise my perception of the brief.
Wherever possible, this is expressed in verbs rather than nouns and adjectives as this helps to eliminate preconceptions. We might all have an idea of what a 'desk' might look like, but if verbs are used - write, file, store etc - there are many different ways these activities can be achieved. In other words, the writing of the brief can really contribute at the creative stage. There may be many influences all working simultaneously.
Nature itself is a constant. From a designer's point of view, evolution demonstrates Nature's capacity to develop elegant and efficient structures.
The human form provides endless inspiration. Artists draw it, but chairs all too often ignore what is vital to our comfort and feeling of well-being. Whilst rectilinear forms are expedient for machine production, they bear little relevance to what we can readily reach and see at a desk. So anthropometrics are a valuable source.
Rarely does other furniture prove inspirational. I'm more interested in the people, the building and how the project can enhance the immediate environment.   _{Your Comment}